Milli’s Awakening at Iwalewahaus: Film, Memory, and Critical Art History


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Memory as Resistance: Natasha A. Kelly's Film Essay at Iwalewahaus
On November 26, 2026, the Iwalewahaus of the University of Bayreuth invites you to a compelling combination of film screening and discussion. The documentary Milli’s Awakening and the Return of Memory, directed by Prof. Dr. Natasha A. Kelly in 2018, will be shown. The event offers a critical view of image history, memory, and the representation of Black women in art.
A Film Between Painting, History, and Memory
The starting point of the film is Ernst Ludwig Kirchner's painting Sleeping Milli from 1911. Natasha A. Kelly approaches this work using the means of documentary film and examines the long history of the representation, naming, and interpretation of Black women through the white male gaze. The cinematic work combines art historical analysis with biographical research and social reflection.
Artistic Examination with Political Dimension
The event delves into central questions of contemporary art education: Who is seen, who speaks, and who determines the meaning of an image? In the interplay of painting, film, and conversation, an artistic experience is created that questions viewing habits and makes cultural education an active engagement with history.
International Perspective and Joint Discussion
The film will be shown in English with German subtitles. Following the screening, Nadu Hormann and Natasha A. Kelly will discuss the cinematic work and its art historical and social references. The conversation will take place in German; questions in English are welcome. This creates an open atmosphere for differentiated artwork examination and intercultural exchange.
An Evening for Critical Aesthetic Experience
The exhibition atmosphere of the Iwalewahaus and the focused film situation create space for an aesthetic experience that goes beyond mere viewing. Memory does not appear as a completed past but as a vibrant cultural practice. The evening is aimed at art enthusiasts, students, and anyone interested in engaging with visual representation, Black history, and decolonial art education.
Conclusion: Film and Discussion as an Invitation to New Seeing
Milli’s Awakening and the Return of Memory promises an enlightening evening between documentary film, art history, and social debate. Those who wish to understand the impact of images and critically expand perspectives on Black women in art will find a special place for dialogue, reflection, and cultural enrichment at Iwalewahaus.
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